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Is Farming a Man's Job?
In 2008, Wall Street crashed. (This is relevant, stay with me) In September 2008, all hope was lost, and the financial crisis reached its summit. This had begun in 2007, slowly, then all at once. Mass unemployment, skyrocketing house prices, and generally a financial world that was now unrecognisable, and one that here in 2026 we can agree has never truly healed.

Bud Potter
Jul 97 min read


Decorated time and the death of the album
Back in 2021/22 I almost completely stopped voluntarily listening to music. Not out of protest or as some kind of mindfulness practice, but because the sheer amount of music available to me, combined with my mental health at the time (like a lot of people, the post Covid years were dark ones), meant that I couldn’t listen to a song all the way through without skipping it. It was compulsive. Even songs I liked didn’t make it all the way through to the end.

Esme Stewart
Jun 218 min read


"Get a real job!" on Arts and Education
The refusal to properly teach the arts means entire generations will grow up believing creativity is not for them, or worse, believing they themselves are not creative. Which is ridiculous because everyone can be creative. Yes, even you, even if you think you can't. Creativity just doesn’t always look the same, and that is one of the first things you learn when you are given the opportunity to engage with the arts. It teaches you there is no right way to think, make or expres

Cath Allison
Jun 127 min read


HOW TO DO YOUR 20S "RIGHT"
A deadly serious, not-at-all-satire guide to surviving - no THRIVING - in your 20s

Esme Stewart
May 273 min read


Stop fighting and figure things out
My entire life I’ve struggled to know what my purpose is. Whenever I imagined my future it was never my career I pictured. I didn’t lie awake at night dreaming about a job title - I was picturing dinner tables, growing old with friends and a house full of people I loved. But the one thing that I was never sure of was what I wanted to spend 90% of my life actually doing.

Esme Stewart
Apr 275 min read


Freelancing, Fertility and Feeling F**king Tired
There is a particularly awful feeling that comes with not being able to do the thing you love in the way you used to.

Cath Allison
Mar 285 min read


GXRLS MAKE GLASGOW is out now
Our SPLINTR 2025 Documentary, GXRLS MAKE GLASGOW: From Fragments to Festival is officially live.

Flos Collective
Mar 231 min read


My Friends Are Ruining My Love Life
As I approach yet another February 14th single, and begrudgingly try to write a hinge prompt that carefully balances my intelligence and subtle sense of humour, I find myself reflecting on why I’m finding it so hard to fall in love.

Cath Allison
Feb 144 min read


Cut With the Kitchen Knife: The Political Capacities of Photomontage
Although you may be unfamiliar with the term ‘photomontage’, you’ve likely come across it, or unknowingly participated in creating one. The term ‘collage’ has a much wider reach — and, though the two art forms are related, photomontage refers to a collage that solely uses images, as opposed to a wider ensemble of mixed materials.

Cicely Kirby-Smith
Jan 1611 min read


Everything We Built in 2025 ✨
As we head into a new year, we want to take a minute to look back on everything we achieved in 2025.

Flos Collective
Jan 63 min read


Go See Share Fund Research Project: Learning from Others: Building Sustainable and Inclusive Models for the Future of Flos Collective
This blog is part of a series supported by the Go See Share Fund, a Creative Scotland initiative that enables artists and collectives to travel, connect and share learning across borders. Through this research, I’m exploring how small, community-driven arts organisations like Flos Collective can develop financially sustainable models while staying true to values of accessibility, inclusion and care.

Esme Stewart
Oct 30, 20256 min read


Go See Share Fund Research Project: Opal Festival (Normandy) – Trust, Participation, and Non-Hierarchical Organising
This blog is part of a series supported by the Go See Share Fund, a Creative Scotland initiative that enables artists and collectives to travel, connect and share learning across borders. Through this research, I’m exploring how small, community-driven arts organisations like Flos Collective can develop financially sustainable models while staying true to values of accessibility, inclusion and care.

Esme Stewart
Oct 26, 20255 min read


Go See Share Fund Research Project: Catalyst Arts (Belfast) – Community Ownership as Sustainability
This blog is part of a series supported by the Go See Share Fund, a Creative Scotland initiative that enables artists and collectives to travel, connect and share learning across borders. Through this research, I’m exploring how small, community-driven arts organisations like Flos Collective can develop financially sustainable models while staying true to values of accessibility, inclusion and care.

Esme Stewart
Oct 25, 20255 min read


Go See Share Fund Research Project: Fierce Festival (Birmingham) – Thinking Big but Staying Grounded
This blog is part of a series supported by the Go See Share Fund, a Creative Scotland initiative that enables artists and collectives to travel, connect and share learning across borders. Through this research, I’m exploring how small, community-driven arts organisations like Flos Collective can develop financially sustainable models while staying true to values of accessibility, inclusion and care.

Esme Stewart
Oct 19, 20255 min read


Go See Share Fund: Household (Belfast) – Researching Flexibility and Care as a Financial Model
This blog is part of a series supported by the Go See Share Fund, a Creative Scotland initiative that enables artists and collectives to travel, connect and share learning across borders. Through this research, I’m exploring how small, community-driven arts organisations like Flos Collective can develop financially sustainable models while staying true to values of accessibility, inclusion and care.

Esme Stewart
Oct 17, 20255 min read


Go See Share Fund: SPILL Festival & Think Tank (Ipswich) – Structure, Research, and Resilience
This blog is part of a series supported by the Go See Share Fund, a Creative Scotland initiative that enables artists and collectives to travel, connect and share learning across borders. Through this research, I’m exploring how small, community-driven arts organisations like Flos Collective can develop financially sustainable models while staying true to values of accessibility, inclusion and care.

Esme Stewart
Oct 16, 20254 min read


6 Days to Go: SPLINTR Festival is Almost Here ✨
We can’t believe it… in less than a week we’ll be opening the doors to SPLINTR Festival - our first ever festival as Flos Collective CIC.

Flos Collective
Oct 2, 20252 min read


Why We Prioritise Paying Artists (Even When We Can’t Pay Ourselves)
Here’s the truth: running a grassroots collective isn’t an easy ride. There’s no big pot of money, no corporate sponsor footing the bill. It’s us - juggling jobs, scraping by and putting every bit of energy we have into keeping Flos alive.

Flos Collective
Sep 30, 20252 min read


The Many Hats of a Grassroots Organiser 🎩
Running a grassroots arts collective is basically one long game of dress-up. Except instead of fun costumes, it’s metaphorical hats - and we seem to collect new ones every week.

Flos Collective
Sep 26, 20253 min read


Come and perform at our SPLINTR Festival Open Mic!
We're opening SPLINTR Festival with an Open Mic - and you're invited to take the stage.

Flos Collective
Sep 24, 20251 min read
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